Editor’s Notice: Nicholas Bielby contacted me after coming throughout my put up “Parrots in Artwork.” Under is his essay on parrots in poetry and spiritual artwork, which provides new concepts to think about in tandem with the issues that I’ve written beforehand. Take pleasure in! -M
“Some Notes on Parrot Symbolism in Poetry and Spiritual Artwork”
Once I took a guided tour of William Burges’s gothic revival church within the grounds of Studley Royal, I used to be struck by the best way the chancel was adorned with extremely colored aid carvings of parrots. I requested the information, David Thornton, about their significance and he didn’t know. However we determined to discover the matter additional and keep up a correspondence. What follows is the results of our joint explorations.
Macrobius information that, after the battle of Actium, the place Octavian defeated Mark Antony and Cleopatra, a parrot greeted the victor, “Ave Caesar” – “Hail, Caesar!” Ever because the first parrot was introduced again from India by Alexander the Nice, parrots have been considered miraculous as a result of they spoke with a human voice. And what they often mentioned was “Ave”, the Latin greeting. Due to their miraculous potential to speak, beautiful plumage and rarity, parrots have been extremely valued and used as presents between kings and emperors. The parrot’s greeting to Octavian, later Augustus Caesar, was subsequently, within the Christian period, taken to be a pre-figuring of the angelic greeting, “Ave Maria.” The parrot was thus related to the Virgin Mary.
It’s not clear whether or not this affiliation is the one route by which the parrot got here to symbolise the Virgin Mary. However Boehrer, in his e book “Parrot Tradition,” (2004), cites a Center English Dictionary as defining “papejai” as (i) a parrot and (ii) a woman, the Virgin Mary. He means that the rarity, worth and ornamental qualities of the parrot assist make it symbolize women typically: “and the Virgin, most treasured and delicate woman of all, stands in for all of the others.”
Maybe probably the most specific proof comes from the poet John Lydgate (C15th) in his Balade in Commendation of Our Woman, the place he hails the Virgin Mary as a “popynjay plumed in clennesse.” The time period “popynjay” (popinjay) comes from the Previous French “papingay” that means parrot, which itself derives from Arabic. After all, in English from Shakespeare’s time a minimum of the time period “popinjay” is used to explain somebody foppishly over-dressed and useless. However clearly, for Lydgate, the connotations of rarity and excessive worth are what he has in thoughts. The time period “clennesse” refers to ethical and sexual purity. And the time period ‘popinjay’ is the time period for parrots in conventional heraldry. They might not be used on coats of arms to indicate foppish self-importance! They’d, partly from the Center East, connotations of knowledge and braveness, and probably extra spiritual connotations.
Round 1400, the time period “papiayes” is utilized in Sir Gawain and the Grene Knight within the heraldic description of the cloak that the women of the court docket embroider for Gawain when setting out on his quest. It’s vital that Gawain must be afforded the safety of the Virgin Mary, as symbolised by the parrots, since one of many main challenges for Gawain on his quest is to retain his sexual purity whereas nonetheless sustaining his repute for courtesy.
It’s price noting that Boeher mentions two medieval church vestments embroidered with popinjays – we might presume with spiritual, Marian significance. In any case, because the medieval thoughts discovered symbols and correspondences in every part, using parrots was actually not merely for ornamental impact however for religious that means!
The parrot usually seems alongside the Virgin Mary in artwork. Richard Verdi’s “The Parrot in Art” traces the parrot from Dürer to the trendy day, however there are even earlier cases. Clearly, not all these parrots symbolise the Virgin, however Crivelli (c1481), Dürer, Baldung, Mantegna, Schongauer, Van Eyck and the Ms painting by the Egerton Master all function a parrot with the Virgin.
In a picture from the Zaragoza model of the “Defensorium” by Franciscus de Retz (1343-1427), a ferocious-looking parrot has a scroll issuing from its beak saying, “Ave.” It instantly follows a picture of the Annunciation. The textual content beneath the parrot illustration appears to check with a medieval folk-belief talked about within the “Continuum Encyclopedia of Animal Symbolism in Artwork,” (2004), that conception takes place by way of the ear. And right here it could appear to hyperlink with the parrot’s miraculous potential to talk. I’ve tried to transliterate the textual content accurately however using medieval Spanish diacritical marks and abbreviations have made this tough. For instance, I feel it affordable to increase ‘vgo pura’ to ‘virgo pura.’ I really feel pretty assured about transcribing this a lot of the textual content:
“Ptisacus [presumably ‘psitacus’] a natura. si ave dicere valet. quare virgo pura. per ave non generaret…”
The obvious full stops would seem to point line divisions into one thing like goliardic rhymed verse, thus,
Psitacus a natura
Si Ave dicere valet
Quare virgo pura
Per ave generaret
This may be understood within the gentle of the folk-belief talked about above that impregnation can happen by way of the ear – and consequently on account of being greeted. It might imply one thing like, “If a parrot, by nature, has the facility to talk a greeting, why shouldn’t, by way of a greeting, a pure virgin develop into pregnant?” What this demonstrates just isn’t a lot that the parrot symbolises the Virgin Mary but it surely does present her shut affiliation with the parrot within the medieval thoughts.
Afterward, parrots function in spiritual work, even when not instantly related to the Virgin. Rubens includes a parrot in a painting of the Holy Family. Each Dürer and Rubens embody a parrot in photos of Adam and Eve on the Fall, when consuming the apple. Right here, I feel, the symbolism is totally different. Skelton (early C16th) refers back to the parrot, in Speke, Parrot, as “a byrde of Paradyse”. Perhaps Dürer’s parrot, completely unaware of what’s going on, merely signifies paradise, unaware of the hazard it’s in. In Rubens’ image, the parrot is trying anxiously in direction of the serpent, conscious of the hazard. It could be far-fetched to see these parrots as long-term symbols of hope, the promise of the New Adam coming by way of Mary.
Generally, by the point we get to the C16th and C17th, “popinjay” has come solely to have its present derogatory that means. It spiritual connotations appear to have been misplaced. For Dutch artists, parrots merely symbolize affluence, conspicuous consumption and commerce connections with unique locations; and as time goes on, generally as symbols of self-importance. Maybe the Reformation, prevalent within the Low Nations, brought on the Marian symbolism to be misplaced.
Within the C19th, William Burges, follower of Pugin, was an amazing medievalist and collector of Dürer. Considerably, his church at Studley Royal, adorned within the chancel with a frieze of brightly colored parrots, is devoted to the Virgin. It’s a truthful guess that he had rediscovered the medieval Marian symbolism of the parrot. The identical symbolic use of parrots may be discovered elsewhere in his work, for instance within the chapel at Mount Stuart on Bute and in Cardiff Fortress.
Nicholas Bielby is a retired school member of the Faculty of Schooling at Leeds College. He’s a poet and editor of www.graftpoetry.co.uk